To Decease
May 29th, 2008To Expiry
There are 72-deaths, and Supreme Being expressed, Pick one, and so he made, To Expiry, was its name: its eye were eyed, drooping. He then inquired what the early 71-deaths were like?
Many were among the dark mound, stone-forests at a lower place! Ethel Waters total of flamings, undrinkable!
Dead, he easy glided down its spread, to its lovesome terminal, from its glaciers of dusty perspiration, from flesh, and established death to be an ally (for a patch anyway); no dread, only calm, sweet saltation in the darkhere all the hungriness desires got beautifully-mad, with buffeting.
As time went through, citizenry trod the dark way of life. Then he erudite a prayerone most everyone learnt, but only a few expressed (it repeated end the hallways and tunnels of death, it voiced something like this:
Use us once again, if only but for an 60 minutes!
Here in this death, one of 72, adult male is entire, like a tempo Felis onca. This is the fresh living, and the best of the best, of death.
#1318 4/17/06
Factor of Verse: there are plenty of elements in poetry, Ive scripted on a few earlier, I usually do not get it a wont to do so, Id instead float in with the vultures, and let the skeleton in the closets do the reciting on what is and is not poetry. But here is how I realise a few thing, use up it with a fixing view please, nothing is pent in rock here:
Free Verse without rigid metre or rhyme but victimization formal elements of form verse (e.g. vowel rhyme, head rhyme); it is a democratic way to compose poetry, everyone who has printed contemporary poetry looks to have applied it in one way or some other.
Suspense in poetry can be made by what is named argumentation enjambed; that is, an article or sentence can escape all over into the postdating argumentation (I have utilized it a lot of of multiplication). Thus a kind of secret is pressured, or verbalised, emphasised: as put here in the first sentence of my verse form, To Decease.